Wednesday, April 4, 2012
Julia 2
Such a challenge last week. Same model, but I had a lot more difficulty. Didn't plan my time, and rushed with the bottom third of the painting. Usually I work all over the canvas at the same time, but not this time. Why can't I just leave some of it unfinished?
Sunday, April 1, 2012
Blue Sash Start
I enjoyed painting the sashes so much that I wanted to try one sash in a longer format; this canvas is 12x24. I mapped out the drawing with ultramarine, after spending a fair amount of time setting up the sash so that the folds would make the composition I was looking for.
Saturday, March 31, 2012
Sash & Shovel
Thursday, March 29, 2012
A Start with Orange Shovel
I had previously toned this 12x12 canvas with a yellow, which I am now having to really fight with. Consider what goes down as a ground color, it does make a difference! I am enjoying the folds and stripes of this woven belt which my mother bought 50 years ago in Greece!
Saturday, March 24, 2012
Julia
We started our figure session by doing six 5 minute drawings, then voting on our favorite pose. The pose with the most votes was it for the nights session. I used the palette knife exclusively for this one. I didn't see how much yellow was in the light side of her back until almost the end which tells me I need to look closer before I start putting paint on!
Thursday, March 22, 2012
4 Ways
The assignment was to do hand studies. My idea was to use the classical palette of titanium white, yellow ochre, cadmium red light, and chromatic black (Gamblin). I also wanted the hands to radiate out from the center of the canvas, which involved rotating the canvas a couple of times. Each study took about an hour, I used natural light from the window in all cases, using both brush and palette knife.
Monday, March 19, 2012
Setting Up
Getting ready to play! Found a great wood shop while in Vermont for the weekend, gathered all our materials and we're almost ready to start. Patches of snow around, but they didn't have much of a winter.
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