Getting reading to go on the road for a few weeks and thinking about how I want to work. Fooled around with the tiny artist tiles- only a 4x4 surface- very portable to be sure. Gouache is also easily portable, quick to set up for painting and I love the way you can layer so easily in the same session.
Thursday, October 20, 2016
Tuesday, October 18, 2016
I set up the freshly picked sunflowers in the buckets in a field behind the vineyard. We started painting at 3 and by the time the class was over, it was cold and a heavy mist hung all around. A little tweaking in the studio-
I'm a believer in making the painting work- sometimes things that aren't that discernible show up with great clarity in the studio. And why not?
Saturday, September 24, 2016
This image caught my eye as I was headed to Spring Bull Gallery for gallery night. I passed by on my way to get a coffee and noticed the light on the wall and the amazing cast shadows of the hanging basket. The wrought iron bench lent the perfect geometry and contrast of hard edges to the composition and I stopped for a few photos. I knew I had to paint it and though I mainly work from direct observation- this time the photo would be my reference. No regrets!
Monday, September 19, 2016
I volunteered to paint at Spring Bull Gallery on Gallery Night; being prepared helps so much with getting the jitters under control. I also got a rough start on my painting before the actual start of the event so I wouldn't be working from an entirely blank canvas. What helps you when you do a painting demo?
Sunday, September 4, 2016
One of my paintings is a view from the studio door- we are located on the second floor of a cool building so close to the beach. Hence our name Beach Studios!
Tuesday, August 23, 2016
Have been exploring the still life en plein air- how ever changing natural light affects temperature shifts in color. Painting from direct observation sharpens my abilities to see nuance.