On the second day, I put most of my energy into the head, trying to get a likeness.Hollis suggested that if you have only a limited time with a set up, be it a still life or a nude, to not try and complete the whole thing, but choose what you want to take to a higher degree finish. This took alot of pressure off, note the box behind the lemon and orange, you can see the toned board, but that was as far as I went with that. Lots of attention paid to edges, which are hard, which are soft.The shadow edge by her eye is hard, the transition shadow on her cheek soft.
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