Quiet Cove

Monday was a perfect day and I got to Fort Adams early to scout the area and find where I wanted to set up and paint. I was soon joined by others, Monday’s Palette is the Plein Air group I paint with and we’ve got a show coming up in August at Spring Bull Gallery in Newport, RI.

One boat I had wanted to paint had someone on board- soon the flag was up and the anchor hauled out. I was glad I hadn’t started a painting, but that’s certainly happened to me before.

That’s where the camera does come in handy- I’m not a Plein air purist who never goes back into the work later in the studio to make it a better painting.

My eyes were drawn to the deep green of the water and the reflections

This one is 12x16 on a Centurian Deluxe Oil Primed Linen Panel.

Losing the Edges

Working over an old painting sometimes is good as the surface already has some texture and color. This one was fun as I looked closely at the cyclamen leaves, just loving their shapes. And of course- those red stems! Played with losing edges along the side of the vase and the table as well as the deck railing and vase.
One Morning on the Deck 12 x12, deep cradled wood panel. $400 with free shipping inside the US

Deck View

I’m taking an online class with Scott Conary which has me stretched me out of my comfort zone. Isn’t that the main reason that we take classes? Maybe uncomfortable, but one way to grow as a painter, and that’s what it’s all about for me.

I attended a workshop with him last summer at The Providence Art Club and enjoy his teaching style as well as his art. Please check out the link to his website for paintings rich with color and sensitivity in paint handling. Wait til you see how he paints an egg, as well as the intimate back story.

The lower painting is my first-then I went back in to deconstruct by massing shapes and turning the narrative of the cup into a simple rectangle of color. Lots of comments from the private FB group made me feel like the group critique of a class.

Can’t wait to get back to the easel- have a great weekend everyone!

After the Rain and a little update

The same but not the same.
Yes, this is the same image that was in my last post....except that I tweaked it here and there. I had brought what I thought was the finished canvas in our main living area so that I could look at it under different lighting. I started to see some things, areas that could have bolder color- back to the easel.

I felt good enough about the finished painting to enter it into a national juried show. Now I'm waiting. I'll let you know!

Thinking about Matisse

I've been back in Rhode Island for three weeks now and 

am intensely aware of how fast time is going by. Please tell me it's the same for you!

We've had rain 18 out of the last 26 days- that's typical New England. Not quite plein air weather for this fair weather painter.

Here are a couple of process shots of a bunch of daffodils I set up to paint from life. Oil on a gallery wrapped canvas- 24x24. Glad I took a photo because the little blossoms didn't last too long after I picked them and brought them inside.

I've been looking at the influence Matisse had on Diebenkorn after seeing the incredible show at the Baltimore Museum of Art a few years ago. Paintings and drawing of both painters were displayed side by side, progressing along a chronological line. It was an incredible to experience these two greats and see the similarities. 

I wanted to bring some of the patterns of Matisse into this painting. My nod to Matisse is the top right corner and framing with white on two sides- he loved to paint interiors looking out a window.

Happy Spring to all of you- and thanks for looking and taking the time to comment!

The Day Starters or Rise and Shine

Was it only my generation, or did you get a morning call to "Rise and Shine"? I usually would be overcome with a desire to pull the covers over my head and snuggle deeper into my own world.

Years later, when I was in the struggle of my addiction to alcohol and drugs, there was no attraction to the morning. The bright light of sunshine made me wish for blackout curtains and the cover of darkness. The attitude of rise and shine belonged to another girl. Not me. I felt the same hopeless feelings as I had the day before...and the day before that.

My newly published memoir Into the Light talks so much of coming out of the darkness, facing the truth about myself, and doing the work so that I could truly participate in my life. No longer a victim, quick to blame people and situations for how my life has turned out, I can now offer hope to those who might still be stuck in the same kind of lies that swirled around my own head.

Lies that told me I was less than, had done things that were unforgiveable, and didn't deserve an abundant life. How very wrong I was. 

This oil painting, 20x20, titled The Day Starters reminds me of the simplicity of life. Morning rituals like a gratitude list and a few minutes of meditation help me to let go of the past, be truly in the present moment, get up, and embrace a new day. 

Rise and Shine!











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Process & Surprises

What do I love about process shots? It's a little like a makeover- starting with a blank canvas- the possibilities are exciting. Do I want drama or security? Neutral daytime or jaw drop night? 
The same thing can happen when I start a painting. 
And... I might change midstream. That's more about what the painting process is for me, to trust and let the painting take me where it wants to go- letting go of preconceived ideas of what it will be all about. 
The result may be a surprise!

Simplified the foreground and lightened the shadow. I did a lot of looking, walking away then coming back into it, scraping and applying more paint. These photos show 5 layers, there were more that I didn't photograph. I hope this breakdown helps you to understand the many stages a painting may go through to reach the point where I can put down my brush and call it finished!

Adding more color, deciding to add the ocean behind, exploring with different shapes and grays.

Tried some tans and grays but didn't get too far.

 I wanted to get the values down- now with oil paint- and I fell a little in love with the pink. Kept the painting like this while I worked on other paintings and became ready to let go, and continue with the process.

I toned the canvas, 11x14 gallery wrapped, with burnt sienna acrylic, then got my composition down with thin oil paint- my typical mix of ultramarine blue and cadmium red light.